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W E L C O M E T O
T O R T I L L A B A Y . C O M
T
H E W E B S I T E O F
A L B E R T O
V A Z Q U E Z A N D C R A I G
A Y L I F F E
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Alberto in
Amsterdam 2006 |
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A M S T E R D A M
B L O G
It's looks cold. And through the
train window, I watch the architecture change from French mansard-roofed
Beaux Arts to red Dutch brick and stone 17th and 18th century row houses
with elaborately shaped chimney turrets and sharply sloping rooflines.
For the snow, I imagine. Although it is April now, and the thin sunlight
occasionally peeks out from behind scuds of wind whipped cirrus clouds.
We get off the train and make our way on to the metro for two stops to
our hotel in Rembrandt Plaza. We emerge into an interlace of arching
bridges and tree-lined canals. The canals are wide and tied up on each
side are various boats and low, flat barges painted in cheerful yellows
, blues and greens.
Our hotel is in the heart of old
Amsterdam and through the hotel room window we can see the plaza with
the bronze casting of Rembrandt's The Night Watch". The plaza is ringed
with restaurants at the bottom and residences above. Every restaurant
has dozens of outdoor espresso (or beer?) tables and bright umbrellas,
but they are empty because of the cold day. There are canals and bridges
everywhere.
There is quite a contrast between
the old unadorned exterior five story brick and stone and the interior
of our hotel. The hotel had just finished its multi-million dollar
makeover and we are intrigued by its renovation into a sleek,
gray-carpeted modern 'Dwell Magazine ' style lobby and rooms with
shades of white and dark gray walls, opaque glass doors and halogen
lights. There is no tacky art or lighting. The expansive lobby is
unadorned with art, the walls are large and white. The glass check-in
desk is crisp and clear of all clutter. There is a large floral
arrangement of exotic waxy-looking Strelizia Regina and other exotic
-bird of paradise-looking jungle greens. I can't tell where the lighting
is coming from, it is recessed or covered in soffits along the
perimeter. Everything is -state of the fashion -modern and even
severe to the tiniest detail. All the rooms have high-speed internet
hookup and a swiveling flat panel Phillips television mounted on the
wall. It looks like it would clean up easily. I like it and so does
Alberto. It looks, ....um, gay.
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Tulip
Market 2006 |
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Eden Rembrandt Square Hotel |
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Our Hotel
Room 2006 |
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-continued-
We arrive with only a small
agenda, really. My agenda actually. Alberto is not even sure he's even
heard of The Netherlands or Amsterdam. He's just happy to be here. Only
the next day, when he sees the souvenir stands with windmills and
ceramic Dutch girls in starched white hats and the wooden shoes, do I
see the lights of recognition go on. A childhood memory of TV
cartoons shows advertising Dutch-style chocolate; the logo had a Dutch
girl in wooden shoes in front of a windmill. And some long ago memory of
an animated version of Hans Brinker and the Silver Skates.
We didn't come for the food. The
Dutch do not have a national menu of frogs legs and snails or marinara
and fried calamari. Unless you like raw (sometimes alive) herring
dropped down your throat head first, you are really hard-pressed to find
an indigenous menu. Instead, the Netherlands has cheerfully appropriated
a polyglot of international cuisine with an emphasis on meat and sausage
and good beer.
We didn't come for the Cathedrals.
The Netherlands is the birth of the Protestant Reformation and many
centuries ago, the Catholic Church was first banned then relegated to
attic meeting rooms. In fact, the only mention in the guide books of a
Catholic Church is one called The Church in the Attic. I am relieved to
hear this, as I have had a surfeit of baroque and rococo chapels and
chapel paintings of Annunciations, Passions and Resurrections, of
transepts, fonts and reliquaries. This town has been swept clean with a
plain Dutch Protestant broom.
Yet this is a tolerant country.
Ruled by the Green Party for many decades, it is liberal, socialist
even, and socially progressive. Prostitution is legal. Gay marriage is
legal. Marijuana is legal. They are leaders in renewable energy. They
are the masters of reclaiming land from the encroaching sea. Their
canals are clean, flushed and replenished with an elaborate system of
valves and levees. The city is largely filled with bicyclers and
efficient trolleys, very few cars. They have National Health. Their
English is so good, so crisp and well-annunciated, I feel embarrassed to
have a slight American West Coast accent. And they are very prosperous.
The humanist kindness and
compassion of the Dutch is well-known. They took in large numbers of
merchant Jews after their expulsion from Spain in the 15th century, an
event that lead to Holland's becoming the world leader for many
centuries in trade and commerce. They hid and protected Jews during the
Nazi Occupation, as well. And while I hope to visit the famous
'coffee houses' of Amsterdam, and to visit the
red light district to see the hookers in the windows, we are in fact
here because this is the home of Anne Frank.
I have had a lifelong interest in
Anne Frank after having read her diary when I was around 10 years old.
I had a hatred of all things Fascist, especially the horror of Nazism. As
a boy, I was interested in things like this. It felt safe in the
expansive freedoms of 1950's America, of Electrolux, Presto-matic, and
the Glide-Flo marvels of vacuum cleaners, refrigerators and new
convertibles, to sit in my bedroom filled with moon rockets and
chemistry sets, and read the books I brought home from the library;
books filled with black and white photos of emaciated men lined up
against camp fences. I saw pictures of mountains of shoes and
discarded clothing, the railroad cars and the sad faces of children made
to wear a star of David on their lapels. This event had passed, I knew
that. I could cup my hands around it and see that it had a beginning and
an end. I felt relieved to know this and safe from it's horror. It was
in the past. It was history. But who are the Jews and why did the Nazis
hate them?
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Prinsengracht Canal, Amsterdam 2006 |
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Amsterdam 2006 |
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-continued-
What could I know about Jews? My
suburban neighborhood in Pasadena, Texas was lined with First Baptist
Churches and Faith Tabernacles and Church of Christ. The people in our
church were pink cheeked, button-nosed, blue-eyed and round faced. My
neighborhood was a medieval English village of family names like
Thatcher, Gardener, Potter, Weaver, Farmer and Smith. However, I did
have some Mexican friends from school. Once when I asked if I could
bring home a friend named Reuben to play, my father said no. 'Mexicans
are different, they are not like us. And he could come back later and
rob us.' I don't think I knew any Jews, but I was given my first harsh
lesson in discrimination. Was that what it was like being Jewish?
One day, the librarian suggested I
read a book called The Diary of Anne Frank. It was a revelation. I
couldn't put this book down. I could easily imagine her life in the
hidden rooms, the recordings of her daily events seem so real. I was so
sad when I finished the book. Later, I relished the film with Shelley
Winters, whose performance as the high maintenance Mrs. Von Pels became
the epitomy for me, of a whining, spoiled, uninvited houseguest.
So, we had to visit Anne Frank's
House. I had to see it. And, apparently, so did many other people. On
our third day in Amsterdam, we waited outside in the cold in a very long
line for 2 hours before we could get entrance to this house on the canal
at 263 Prinsengracht.
The entire house is sheathed in a
protective second layer of structural steel and glass. It sits within
like a nested Russian doll. The extra room this structure provided
allows passage for visitors, a study center and gift shop and other
administrative space. One moves slowly through the structure, first to
the wholesale herbs and spices shop that Anne's father ran on the first
floor. There is the desk where secretary and family friend Miep sat, not
yet aware of how she would come to be for two years, the sole lifeline
for a group of people in hiding. Flat panel screens in every room give
you the history of how Otto Frank moved his family out of Germany
into the relative safety of neutral Holland. There are interviews with
Miep, who is also the person who saved Anne's diary after it was
overlooked by the Nazi soldiers who came to arrest the Franks. There are interviews with family friends, and
excerpts from Anne's diary.
Only until we reached the rear of
the second floor landing and we passed through the hidden door behind
the bookcase, did I begin to shake a little bit. This really happened.
I was emotionally overcome by this
and feel embarrassed by the tears that begin to flow freely. The rooms
were bare, by the wishes of Mr. Frank who survived the war. He didn't
think it appropriate to have the furniture left intact. But the walls
are intact. And these are the floors they walked on, except during the
day, when at the stroke of 8 a.m. everyone had to sit still and not move
until the shop below closed for the evening. And here is Anne's room and
the walls still have the cut out pictures from movie magazines that Anne
wrote about in her book, pasted to the walls, now covered by a
protective layer of acrylic. We pass from room to room and it's all just
as she described. The kitchen area, the steep stairs to the loft where
Anne wrote in her diary.
And there are excerpts from her
diary. And actual pages from the diary itself. She describes her fear
and pain when the family hears on the radio, rumors about the gas ovens
and the mass exterminations. She writes to the effect, "I am hopeful that one
day all of mankind will put an end to war and find peace. I know it is
possible." I am overwhelmed by this faith in the face of such horror. I
briefly bury my face in a sob of tears and anguish that this brilliant writer,
so young, so full of hope and possibility would have to go through
this; that anyone would be caught in
a nightmare like this. I can never really know what it was like, and I
am relieved by this. I am grateful that she found the wherewithal to
write a diary. I am grateful that Miep saved it.
It is still unknown who turned the
family in, but one day they were arrested, separated, put on railway
cars and taken away. If she knew her father was still alive, she may
have had the stamina to endure the concentration camp. All she knew was
her sister and mother, and presumably her father, sent to Auschwitz, were dead. Overwhelmed
by loneliness, sickness and sadness she died alone at Bergen-Belsen
without ever seeing the war come to an end.
I find that I cannot do anything
more the rest of the day. We walk along the canals in silence and put
our cameras away. We talk a little bit about what we saw. Alberto is
very attentive and caring and takes my hand. He is baffled and confused
by what he saw, and by the inhumanity and the
unspeakable evilness of it all.
We are both very quiet and
reflective and have an early supper and go to bed. |
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Table to Table
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Table to
Table supplies the
food it collects to non-profit agencies
throughout Israel, including food banks,
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youth, seniors' residences, battered-women's
shelters, meals-on-wheels programs, and
more.
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Prinsengracht Amsterdam April 2006 |
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263 Prinsengracht |
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Anne Frank
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The moveable bookcase with the
hidden rooms behind |
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-continued-
I had a bit of fun with Alberto
right after we arrived in Amsterdam. We finished unpacking and I
suggested we grab a cup of coffee. I had noticed a 'coffee shop' next to
the hotel as we arrived. As we entered, Alberto noticed right away the
group of college men on a sectional sofa passing a bong. Then, as he
looked around the coffee shop, he noticed the businessmen in the back on
their laptops, the laughing and chatting yuppie couples
rolling a joint and the smell of ganja in the air. The well dressed
smiling hostess greeted us with the menu du jour. The menu had a list of
about 30 current herbs and prices. "What are you looking for? Would you
like something visual or physical? How about this, it's fresh and very
popular. Not too strong, with a citrusy, sticky green spice flavor."
"We'll try that, thanks," we said. We had not smoked pot in a very long
time and had heard it was strong in Amsterdam.
We took a table and the hostess
brought our selection to the table. "Complimentary rolling papers?" she
said, "Or would you prefer a pre-sanitized bong?" "Would you like fresh
juice or coffee?" We gave her our order and looked around. This was very
different. Middle-aged couples, businessmen and women, a very nicely
appointed salon, classical music floated through the room. No skinny
white boy Rastafarians, no nose piercings, no tattoos, no scruffy
hippies. Everyone seemed to have all their teeth. I wasn't use to this.
We lived in Venice Beach for nearly 10 years. Where are the aging Dead
Heads, dreadlocks, the drum circles, the bohemians?
It's true. Throughout the city are
dozens and dozens of smoking salons called 'coffee shops'. The
Netherlands legalized marijuana several years ago. And although one
could theoretically fire one up just about anywhere, it is legal to do
so, it is not common to
see it on the average street corner, anymore than you would see someone
drinking a cocktail at a bus stop. We left the coffee shop after about
an hour, and wandered out into the setting sun.
"I'm hungry," we both said
simultaneously and we found a great little vegetarian shop called Maoz,
with a salad bar that served pita-style sandwiches and fresh
Belgian-style fries.
"Can we move here?" said Alberto.
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Alberto at
the Amnesia Coffee Shop , Amsterdam 2006 |
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Craig , Amsterdam
2006
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A M S T E R D A M
C O N T I N U E D
On our second day, we visited the
huge flower market and admired all the tulips. We grabbed trolleys and
canvassed the city. In the afternoon, we visited the Red Light District.
We don't have much to say about
the Red Light District. This is an area largely devoted to female
prostitutes. No male hookers. It was a clean and attractive section of
the city with beautiful canals and shops. The only difference was that
in the windows, in the passages between buildings and all along the first
street level, were women in various costumes and attractive lingerie. Some were very(!) old, I guess for those that always had it
in for grandma, but most were in their late twenties or early thirties.
All were very pleasant and gracious and quite beautiful, in a fresh
hometown girl sort of way. They sat on chairs or sofas usually with a velvet curtain
behind them. Everywhere we looked, there were beautiful women tapping on
the glass to get your attention.
It is very impolite to take pictures, presumably to show
the guys around the office cooler back home, and they will get quite
angry with you if you try it. Later, in Pompeii, we would see brothels
called Lupenare. Lupena meaning she-wolf, which is what prostitutes
were called then. Perhaps if you tried to take their pictures you would
quickly find out why...
The government simply felt it was
better to get the girls off the streets, offer police protection, a
pension fund and other free public health services I suppose it's better
this way. I don't have an answer here. I won't pass
judgment. It is the world's oldest profession.
It's just that we couldn't
stop thinking about our own nieces and family daughters, granddaughters, aunties and even grandmas. This is not a good life for women. You
cannot convince me that these women were not somehow sexually abused at
some point in their childhood. And, the idea of turning all the money
over to a man (pimp) to manage it for you, and letting him take a large
portion of it, is disturbing and seems pathological.
Finally, from a large menu of career options, one does not choose to be
a whore.
We left for a trolley ride across
town to a famous 'coffee bar' called Amnesia. Then for a light dinner on
the Rembrandtplein.
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Amsterdam
2006 |
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Amsterdam 2006 |
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Vieew of
Rembrandt Plein from our hotel, Amsterdam 2006 |
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Red-Light District,
Amsterdam 2006 |
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-continued-
The next day we stayed clear of
the 'coffee shops' and instead visited the Anne Frank House. The few
days after that, we spent at the fantastic Van Gogh Museum, where we saw
more of this man's life work than I ever hoped for. It was thrilling for
me to see so much of this man's paintings and there are many other
famous artists represented from the same time period to give the whole
era a context. I think the curatorship of this museum is one of the best
I have ever seen in the world. There are so many pieces to see that
curatorial direction allows you see how Vincent imitated and played with
various styles of the time that he learned from his friends and drinking buddies, the pointillism of Seurat, the soft brush of Manet, the
spotlighted nightclub life of Toulouse-Lautrec, his flirtation with
Japanese art all of which eventually lead to his own famous and determined style.
All from a man who didn't decide to become a painter until his
mid-thirties, a man who never went to art school, a man so haunted with
personal demons that it finally drove him to take his own life.
We also visited the Rijksmuseum.
(But first, a quick stop at the 'Sensi' Museum Coffee Shop).
Many of Rembrandt van Rijn's painting were out in a marvelous traveling
show on world tour, and the museum is currently undergoing renovation,
but many of his most famous pieces were still there, The Nightwatch, the
self-portrait and many commissioned portraits of rich and powerful local
citizens. There was also a terrific collection of Vermeer's best and
others of the Dutch masters. One of the fun parts of the museum is
watching through it's art, the development of the seaports and cities
after tossing out the Spanish occupiers, the absorption of the Spanish
Jews and the rise of the Dutch to a powerful world power. You are
reminded of the lasting influence - Canada, South Africa,
Manhattan Island, Indonesia, to name a few places.
We enjoyed our time in Amsterdam.
We left by train (but first, a quick stop at the Train Station
'Coffee Shop') to return to Paris for a few days, then headed home to
Barcelona.
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Wheatfield
with Crows |
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Self-Portrait with Straw Hat |
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Sel-Portrait |
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Rembrandt Van Rijn's
The Nightwatch |

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